Like other acoustic instruments, much of a violin’s sound comes from the room it inhabits, so accurately capturing that room sound is vital in achieving a comprehensive tonality. With this in mind, experiment with the vast spatial range of the R88 and its great capacity for far-field applications. The R88 delivers an astonishingly balanced treble/bass ratio from as far as 20 feet away.
When miking solo musicians or quartets or ensembles at a distance, start by positioning the R88 from at least 5 feet away from the musicians with the white line aimed directly at the center of the ensemble. This will give you a balanced stereo spread in the two channels of the microphone. Because the two ribbon elements are perfectly in phase with one another you can pan the two channels however you wish. Most engineers start with channel 1 panned hard to the left and channel 2 panned hard to the right. This creates the largest and most realistic stereo width.
The image below shows where both elements of the R88 capture sound. The green area is the location that sound is captured in. When recording ensembles, make sure that the musicians are located within this green area. When both channels are hard-panned left and right, any source that is within this green area will sound like it is coming from that specific area.