artists
TAGGED: RPQ500

Artists
Kristian Nord / The Great Escape

“…I suspect there isn’t a sound an AEA can’t conquer. I won’t do a session without them.”

Artists
Manny Nieto / Health, Breeders

“The R84 is aces across the board with sound quality. Musically capturing exactly what I’m looking for and built like a tank!”

Artists
Justin Meldal-Johnsen / Beck, Nine Inch Nails, Air

“My N22 has turned out to be an incredible bass amp mic…to such an extent that I won’t record bass without it.”

Artists
Josh Block / Leon Bridges

“The KU4 is honest, exactly where it needs to be while retaining a euphoric quality that’s hard to replicate with anything else.”

Artists
Chris Koltay / War On Drugs, Deerhunter

“AEA mics are my first line of defense in the war against boring, sterile sounds. You will not find a finer example of the intersection of craftsmanship and sonic truth.”

Artists
Vance Powell / Jack White, The White Stripes, Chris Stapleton

“I’ve been using the R88 lately as a room mic out in front of the drums. I really like that a lot, it sounds really cool…”

Artists
Greg Curtis / The Bridge Recording

“What I like about the KU4s is that they are a rendition of the originals that leaves nothing to be desired.”

Artists
Jake Aron / Grizzly Bear, Jamie Lidell, Solange

“The RPQ500 has left me reaching for a ribbon over a dynamic mic every time I record guitars.”

Artists
Brad Haehnel / Pixar, Life of Pi

“The R88 has become an indispensable tool in my mic collection… it is always somewhere in my orchestral brass setups.”

Artists
Justin Pizzoferrato / Pixies, Sonic Youth, Dinosaur Jr.

“The RPQ500 lets my ribbon microphones be themselves without too much unwanted color and noise”

Artists
Gus Borner / Pixar, Marvel

“I really like the high end [on the N8], almost like a condenser, didn’t have to reach the EQ on the RPQ immediately.”

Artists
Alex Chaloff / The AEA Sessions

“The RPQ2 takes my AEA microphones to the next level. There’s gain for days and it’s insanely quiet.”